With a new introduction by Polly Samson, Sunday Times bestselling author of A THEATRE FOR DREAMERS 'Gorgeous... the written equivalent of lying in the sun eating figs' India Knight, Sunday Times 'That summer we bought big straw hats. Maria's had cherries around the rim, Infanta's had forget-me-nots, and mine had poppies as red as fire. . .' Three Summers is a warm and tender tale of three sisters growing up in the countryside near Athens before the Second World War. Living in a ramshackle old house with their divorced mother are flirtatious, hot-headed Maria, beautiful but distant Infanta, and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to understand the strange ways of adults and decide what kind of adults they hope to become. 'The sun has disappeared from books these days... You are one of those who pass it on' Albert Camus to Margarita Liberaki 'The literary equivalent of a sun-soaked holiday in Greece' Culture Whisper 'A leisurely, large-hearted coming-of-age novel, earthy and innocent, nostalgic and beautifully rendered' Kirkus 'A dreamy, cinematic tapestry of Greek village life' NPR

In this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Through responses to censorship -- including those of the dictator, the Nobel Laureate poet George Seferis, and the younger generation of poets -- she shows how women poets use strategies which, although initiated in response to the dictator's press law, prove useful in articulating a feminist critique. In poetry by Rhea Galanaki, Jenny Mastoraki, and Maria Laina, among others, she analyzes how the censors' tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles.

As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry and also how the resistance to clarity in this poetry trains readers to rethink cultural practices. Van Dyck's comparative consideration of American beat poetry, Christa Wolf's "Cassandra", Poe's "The Purloined Letter", or Bakhtin's theory of the dialogical underscore the complexities of transnational exchange. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to "theorize" the lessons of censorship and women's writing.

In this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Through responses to censorship -- including those of the dictator, the Nobel Laureate poet George Seferis, and the younger generation of poets -- she shows how women poets use strategies which, although initiated in response to the dictator's press law, prove useful in articulating a feminist critique. In poetry by Rhea Galanaki, Jenny Mastoraki, and Maria Laina, among others, she analyzes how the censors' tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles.

As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry and also how the resistance to clarity in this poetry trains readers to rethink cultural practices. Van Dyck's comparative consideration of American beat poetry, Christa Wolf's "Cassandra", Poe's "The Purloined Letter", or Bakhtin's theory of the dialogical underscore the complexities of transnational exchange. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to "theorize" the lessons of censorship and women's writing.

'I remember caresses, kisses, touching each other's hair. We had no sense that anything else existed' - Elena Penga, 'Heads' 'Nothing, not even the drowning of a child Stops the perpetual motion of the world' - Stamatis Polenakis, 'Elegy' Since the crisis hit in 2008, Greece has played host to a cultural renaissance unlike anything seen in the country for over thirty years. Poems of startling depth and originality are being written by native Greeks, emigres and migrants alike. They grapple with the personal and the political; with the small revelations of gardening and the viciousness of streetfights; with bodies, love, myth, migration and economic crisis. In Austerity Measures, the very best of the writing to emerge from that creative ferment - much of it never before translated into English - is gathered for the first time. The result is a map to the complex territory of a still-evolving scene - and a unique window onto the lived experience of Greek society now.